In the world of Sagaria - a place not so different than us, unlike almost all animals can talk and have to have about the same status in society, there are adventure... but usually not for lemmings. Outside the sleepy village of Foxglove, there are not many lemmings and a calmer, their place in the world is often overlooked. The only adventure know the most lemmings is the large exodus, where they selected by the great spirit over the mighty huge rocks into the land of doom, set out never to return. This is not quite good enough for Sylvester lemming sound, junior archivist and translator of the ancient tongues, but he sees other viable way in life. Also he is don't worry besotted with the charming and deliberate Viola Pickleberry, plenty of room in the head for others.
And then, one night, he and viola find a wounded ferrets in the River - worse still, a ferret wounded pirates - a treasure map and a warning that is true... too quickly
The first book in the Sagaria series by Swiss author John Dahlgren begins the tides of miserliness, and before you can say "Arrrr" it is out of the race. There is a lot to absorb in this novel - it runs on more than 400 pages and maintains a pace between lively to atemlos-but Dahlgren maneuvers through the history with wit and confidence, keep his characters and situations sent on the road lose without long game. Virtually all of his characters are richly drawn, even until late in the game extensions (Pimplebrains, a schweigsamer but Honorable pirate Beaver, is a good example), and the shading makes in their representations, which resonate with the deeper themes even on the rare occasion where some threatening the subtext to text to. However, even if buried dangerously close to the surface - like rise such as the importance of reason and rational approaches to the world of the dogma of the narrow-minded religions - managed some of the themes, Dahlgren Ligeia avoid and keep the story on a pitch of the ship.
Part of what makes the Dahlgren book so remarkable is the amazing sophistication which mixes the author and genre elements and sound without diving too far in one direction. While probably as fantasy - the book is classified animals talk, clothing and sailing boats tends to make that one given - there is more sea adventure than anything else, and a late Act makes development a strong argument for the position in a different genre altogether. More the book is just funny to the point. Despite some dark corners and the fact that the story still never away is afraid of violence, considers a sound which close perpetual irritated firmly in the hand in the Dahlgren; a large part of the explanatory prose and dialogue reveals an anglophile sense of humor, and the General voice of the book is playful, witty, similar to Douglas Adams or Tom Holt. For fans of wit, adventure or even pirate stories Dahlgren should book a welcome addition to the shelves.
Tested by: Nicole Sorkin, Pacific book review
http://www.pacificbookreview.com/